MAGS AND BOOKS
Date and Issue: Volume 4 / Number 4 / January 1976.
Pages: 1 page with a small review + a pinup on the back cover.
Pictures: 1 small b&w pic on the review plus a full-color pinup on the back cover.
Article: Small review on the series pilot.
Author: Dan Scaperotti.
Country: USA.
CINEFANTASTIQUECINEFANTASTIQUE A Segment of the ABC Friday Night Movie Special Double Feature. 11/7/75. In Color. 75 minutes. Produced by Douglas S. Cramer (Warner Bros. television). Directed by leonard Horn. Teleplay by Stanlet Ralph Ross based on a character by Charles Moulton. With: Lynda Carter, Lyle Waggoner, Cloris Leachman, Stella Stevens, Red Buttons, Eric Braden, Kenneth Mars, John Randolph, Fannie Flagg, Severn Darden, Henry Gibson.
     In this era of concern over the place of women in today's society, the adaptation of the most famous comic strip heroine, Wonder Woman, to the screen, in this case the small screen, seems appropriate. last season we were offered a modernized version of the character sans her traditional costume and accompaniments. This second attempt by a new creative team presents Wonder Woman in the person of wide-eyed Lynda Carter in her dazzling original form. The magic lasso, bullet repellent bracelets and invisible plane are all in evidence. Stanley Ralph Ross' screenplay is heavily based on two of the character's appearances: the January 1942 issue of Sensation Comics and the summer 1942 premier issue of Wonder Woman comics.
     The opening credits set the mood for what is to follow. Animated comic panels come to life and dialog balloons indicate the performers. Unfortunately, the comic book motif has been carried too far. What works in one media does not necessarily work in another. Surely the damage done to Batman several seasons back attested to the failure of milking comic strips purely for their camp elements, but here we are put through the tired routine all over again. While Lynda Carter plays her role straight, all of the supporting players under Leonard Horn's direction turn in ridiculously self-conscious performances.
     The plot, derived directly form the comic books, introduces the heroine during World War II and her activities against a group of Axis agents. Had the scenes been played on the level the result would certainly have been more worthwhile. But the writers and performers have it their own way with exchanges like the one between General Blankenship (John Randolph) and Major Steve Trevor (Lyle Waggoner) where the General tells Steve, "Do your best, boy", and the Major replies, "General I can only do my best."
     Supposedly, our appreciation is to be measured in groans of delight at such delicious innocence and naïveté. The film's few action scenes, though well done, are hampered by a piercing choral arrangement as grating on the nerves as that old Batman theme song. One asset of this pilot film is obvious however, Lynda Carter makes for one stunningly attired heroine!
© 1976 by Cinefantastique / Frederick S. Clarke.
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